I want you to know I really tried.
I started capping for this pretty early, when the first pv hit. Then came The Vision and then FINALLY our Zukki center (sorta). As always, time got away from me and I wasn’t able to even gather my thoughts before the three pvs were out and the single had already been released. And then time zoomed along even faster and now Zukki has already graduated.
*sigh* I’m so old now.
I think this is a particularly interesting triple-a, because unlike the last three times, it feels like the three singles come from three different times in Momusu history. Allow me to explain…
Continue reading “Momusu’s Vision in a Corner of Tokyo…on SATURDAY NIGHT!”
Happy 31st to my lovely, Yoshizawa Hitomi!! My beautiful, bad-ass lovely is married and with child and I am
damn jealous of so curious about her husband! What sort of man could be good enough??
Anyway, it’s also my birthday today. Time to party!
Continue reading “Otanjoubi Omedetougozaimasu!!”
Zukki is graduating.
To sum up the announcement that I’m sure you’ve all read by now: she’s graduating at the end of the Spring tour to eventually work in “welfare”. It’s unclear if she means social work exactly, but based on her inspiration for the decision (the Satouyama things), it’s probably something humanitarian.
It’s the usual “did my best”, “thought long and hard about this decision”, “please support me” and so forth.
Bro and I were watching Shige’s last Music Station performance the other day (a pitifully short clip) and afterwards he sighed mournfully, like seeing her was painful. I teased him until he reminded me that she didn’t just graduate, she left show business altogether (“It’s over after graduation.”). Zukki is doing the same thing.
In a sense, it’s way too real.
Continue reading “In Which it’s too Real”
[Feb. 2, 2016: I wrote this in 2014 and never finished it. I should say I “capped this” but never finished the post about it. I mean, look at this:]
Everybody seems to have compared TokiSora to As for One Day and Nachatte Renai, or even Shouganai Yume Oibito. They don’t release ballads as singles very often. I’m not even sure if this is considered a ballad exactly, but it’s certainly different from everything this incarnation of Momusu has released. Is it anything like all these old songs?
Well, it certainly has the dream-like haze of As for One Day, the bitter-sweetness (and strings) of Nanchatte and the layered harmonies of Shougani.
[And that is all I have. I assume I had a lot more to say back in 2014, but now I guess I’ll have to finish two years later. I will have to use the caps I still have and a new perspective in the aftermath of Tsunku stepping down as producer. As is the case with all of these ‘Lost’ posts, I apologize for how late/non-existent it is. ]
Continue reading “The Lost Posts: 2014 Harmonies Return to Momusu”
[POST DATE: So here is another one that I wrote way back in 2014…and never finished. I can’t remember where I was going with it, but since it’s long enough that deleting it would be a waste, I’m going to give you what I had already. Then, just like the previous ‘Lost Post’ we’ll wrap up with a pic spam. I apologize that this is now a year or so late.]
Momusu is back in commercials, ladies and gents. And the result is catchy, catchy stuff. I don’t actually mind the fact that this song was written so that they could sell cell phones (or cell phone plans…whatever). In fact, I’d actually love a compilation of all their commercial jingles. There was this song they did for an iced tea commercial back in 2001 that I really loved…
I’m getting off-topic. Since that sort of compilation is impossible, I can at least be content with this catchy piece of work. The single, along with the other A-side (that’s a different post) has already achieved another number one for our girls AND a new record for the group: 5 consecutive number ones on Oricon weekly single ranking. That has never happened in the history of the group before. First week sales?
Continue reading “The Lost Posts: 2014 Password is Catchy!”
[JAN 29, 2016: So here we are in 2016 and I never finished this post. I capped the hell out of this pv and I had basically the entire entry done, but I just never got around to finishing. It would be a waste to scrap it, so I decided to finish it now. I started it before Tsunku’s revelation about his vocal chords and before we knew he’d stopped producing, so bear that in mind while reading. I apologize for being so late.]
This is the last of our triple-a side pvs. This is also the only song that wasn’t penned by Tsunku. It’s becoming a thing for each group to have three singles in one and while it’s unusual for anyone else to write for Momusu, it seems like something we can expect now.
This would be the song that doesn’t sound precisely like a Momusu song. Maybe that’s why it isn’t really my favourite of the three.
Continue reading “The Lost Posts: 2015 Like a Waterfowl…yes.”
I know I didn’t post much this year…again. And I apologize for that. Real life took up a lot of time and a game series called Dynasty Warriors (full disclosure). Plus the excessive amount of triple-a-sides for every group, every release, overwhelmed me a little. There’s still a forth-coming post about Imasugu Tobikumo Yuuki…
Anyway, usually at the end of the year I post about everything that I liked , or interesting things I saw during the year around H!P. It’s an Itsumo Genki tradition and even if no one reads this anymore, I still feel I have to write one or the year can’t really end.
I’ve gotten more and more sick of my own format though. Especially since I don’t post as often anymore, it doesn’t make sense to really call it a review of the year. I can’t think of much of anything that I covered, except, of course, for Momusu. So, let’s keep the title, for old times sake.
Here is what I loved and didn’t love in 2015.
(Just a heads up: I have nothing to say about C-ute or Country Girls, for various reasons, none of which mean that I hate them. I didn’t invest much time in C-ute and Country Musume has yet to bleep my radar. Plus, Momo still frightens me.)
Continue reading “In Which Isilie Reviews 2015: Triple-A-Sides all around!”
Hope everybody has a safe, happy, goofy, and better-lit-than-this-pic holiday-
You know what? Let’s try something else.
Hoping your holidays are as fun, goofy, and heart-warming as this pic.
I want a Zukki for Christmas!!
~Much love, Isilie
Our beloved class president, Sayashi Riho/Ace/Riho-Riho is going to graduate from Morning Musume.
In just two months, on December 31st.
My brother chuckled when he read this and said, “Hm, just like Goto.”
He didn’t seem surprised at all. I, of course, was flabbergasted. I mean, the ace graduate? After only 5 years?
Then I realized, as most already have, that a 5 year stint isn’t that unusual. In fact, before Platinum Era, it was pretty much the norm for a momusu member. I just didn’t think it would be her, of all people. I think I was expecting someone like Iikubo, not because she’s necessarily done, but because of her age (unfair, but a thing).
Nobody else seems that surprised. I’ve even seen that word again, the one that haunted the Platinum era to the point that it lost all meaning: stagnating. Nothing the group does is good enough for people any more and so everything that does happen is all so very predictable. *sigh*
Riho has said that she wants to pursue other adventures, among them studying dancing abroad. She’s apparently been worrying about this for a while, which might explain her being absent (due to poor health – perhaps stress leave of some sort?) and otherwise oddly distant lately.
So, what does this mean for Momusu?
Continue reading “In Which Ace will be Missed.”
So, as most people who are, or used to be, fans of H!P have already heard, Tsunku stepped down, or “graduated” from being a producer way back in 2014, after Momusu went to New York. We are only now hearing about it because (I think) of Tsunku’s book. He confesses that he’d quietly stepped down after that concert, no trademark mid-concert announcement or any sort of fanfare.
I suppose it’s been fairly obvious with the amount of non-tsunku songs lately and the lack of “produced by Tsunku” stamps on productions.
The reaction seems to be a resounding ‘meh’, at least from the blogs or discussions I’ve read. People don’t seem to care much because so many have rage-quit or lost interest in the past few years. While they are sorry about Tsunku’s suffering, they seem to feel it’s a good decision and a long time coming.
*sigh* I hate moments like this.
Continue reading “In Which the Inevitable Still Smarts.”